The movie is not ditto copied but the concept is taken from memento- err atleast bollywood people have done something this time.
It’s been years since I saw a Hindi film that had so few dialogues for the leading man. Quite unlikely for a masala movie about romance and revenge! Stoically, Aamir Khan walks and rips through the film with the charm of a Casanova and the beastliness of a vengeful man, and delivers a performance that will be remembered even though the movie itself may be forgotten after a few months.
Director A.R. Murugadoss tells a long story at a brisk pace and shows no frugality in depicting violence in all its goriness. It is blood curdling stuff gruesomely glorified. Stuff that gives you the heebie-jeebies! It’s mostly hand-to-hand combat with frequent use of iron rods that serve the sole purpose as skull-crushers. Repulsive!
But if you have stomach for such revolting violence, you would enjoy sitting through ‘Ghajini’ for many reasons. First, it’s unique plot. Second, Aamir’s mind-blowing acting. Third, Asin’s confident debut in a heart-winning performance. Jiah Khan is appropriately cast in a role that doesn’t demand much from her. Pradeep Rawat, as the antagonist, is menacing.
There is a gaping hole that yawns right at the very base of Ghajini’s story. If a man can’t remember that his lover was killed or who killed her, why does he need to remind himself again and again to take revenge. Wouldn’t his vengeance wane away with his memory? Murugadoss should have established some internal link that keeps pushing the protagonist back to his mission – something like sporadic dreams or memory flashes.
Anyway, realism is something you shouldn’t expect from ‘Ghajini’. It’s a full-on masala film that is stylishly shot and has above average music by A R Rahman . It’s a film that needs to be enjoyed with mouthful of cola and fistful of popcorns even though the no-holds-barred violence keeps getting on your nerves. Despite its long duration of three-plus hours, the movie, with its quick pace, doesn’t weigh heavy, and leaves you with a mind out of time. Anterograde Amnesia, anyone?
Director A.R. Murugadoss tells a long story at a brisk pace and shows no frugality in depicting violence in all its goriness. It is blood curdling stuff gruesomely glorified. Stuff that gives you the heebie-jeebies! It’s mostly hand-to-hand combat with frequent use of iron rods that serve the sole purpose as skull-crushers. Repulsive!
But if you have stomach for such revolting violence, you would enjoy sitting through ‘Ghajini’ for many reasons. First, it’s unique plot. Second, Aamir’s mind-blowing acting. Third, Asin’s confident debut in a heart-winning performance. Jiah Khan is appropriately cast in a role that doesn’t demand much from her. Pradeep Rawat, as the antagonist, is menacing.
There is a gaping hole that yawns right at the very base of Ghajini’s story. If a man can’t remember that his lover was killed or who killed her, why does he need to remind himself again and again to take revenge. Wouldn’t his vengeance wane away with his memory? Murugadoss should have established some internal link that keeps pushing the protagonist back to his mission – something like sporadic dreams or memory flashes.
Anyway, realism is something you shouldn’t expect from ‘Ghajini’. It’s a full-on masala film that is stylishly shot and has above average music by A R Rahman . It’s a film that needs to be enjoyed with mouthful of cola and fistful of popcorns even though the no-holds-barred violence keeps getting on your nerves. Despite its long duration of three-plus hours, the movie, with its quick pace, doesn’t weigh heavy, and leaves you with a mind out of time. Anterograde Amnesia, anyone?
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